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You can add multiple layers and effects, trim by frame, add audio, adjust lighting, and more. That said, if the most features you can get out of a single package is your endgame here, KineMaster is definitely worth looking at. But the interface is a little more confusing and doesn’t seem to translate to the bigger screen of a Chromebook quite as well as PowerDirector. In fact, it’s more powerful-meaning it has more features-than PowerDirector.
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Just because it doesn’t get the pick for “best option” doesn’t mean we can ignore KineMaster completely. The Most Powerful Option: KineMaster (Android, Free/Subscription) It’ worth it if you plan on editing video from your Chromebooks. You can try PowerDirector out for free, but to get the most out of it, you’ll have to shell out a subscription fee-$4.99 a month, $9.99 for three months, or $34.99 a year. It uses a very intuitive drag-and-drop interface that works very well with both touch and a mouse. You can trim video clips, add audio, add slow motion (and other) effects, and more. If you’ve ever used the computer version of PowerDirector, you’ll already be familiar with the interface-it’s very similar, just on a less robust scale.
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The layout is very similar to what you’d get from a full desktop editor and it seems to “feel” a bit better with a mouse. While Kinemaster got our pick for the most powerful video editor on Android, PowerDirector just seems to work a little bit better on a Chromebook. No doubt, the resumption of the theatrical business will be a boon to their pocketbooks, not to mention the bottom line of exhibitors like AMC teetering on the edge of bankruptcy, who are counting on the expected attendance boom.The Best Option: PowerDirector (Android, Free/Subscription) and Disney have resorted to premiering their blockbusters on their respective streaming services HBO Max and Disney+. Of course, with many theater chains closed over the past year in the biggest markets, including New York City and Los Angeles, and Hollywood unable to count on a wide release to maximize needed box office returns, legacy studios like Warner Bros. The big screen is back," intones a narrator.Īnd that's good news for the industry as a whole. "The movies the way you always loved them is the way to see them again.
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This after a year in which the country's exhibitors suffered "furloughs, closures" and what the thesp called "the longest intermission they could ever imagine." After hailing their employees for their "dedication and resilience" to ensuring moviegoing returns to its pre-COVID good times, McConaughey tells movie fans to "take a seat, the show's about to begin."Īt which point, the PSA serves up maskless theater workers, filmed under COVID-safe guidelines, talking about their jobs and what the cinema means to them, along with clips from some of the biggest, most hotly anticipated blockbusters that had been repeatedly delayed due to the pandemic.Īnd then we get some good looks at movies like Denis Villeneuve's Dune remake the latest 007 adventure, No Time to Die James Gunn's The Suicide Squad Space Jam: A New Legacy with Lebron James F9 featuring Fast & Furious vets Vin Diesel and Michelle Rodriguez Disney's Jungle Cruise starring The Rock and Emily Blunt Ryan Reynolds real-life video game adventure, Free Guy the latest Ghostbusters reboot Marvel's Black Widow and Shang-Chi The Batman with Robert Pattinson and many more.
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"The Big Screen Is Back," brought to us by the good folks at the National Association of Theater Owners (NATO) and the Motion Picture Association of America, spotlights a slew of theater employees - America's "unsung heroes" in McConaughey's words - welcoming Americans back to the theater.